by JULIE POUCHER HARBIN, EDITOR, ISLAMiCommentary on DECEMBER 14, 2015:
Last month, the Duke Middle East Studies Center (DUMESC) had the honor of hosting Nobel Laureate Orhan Pamuk for a series of events at Duke University. With co-sponsorship from the Department of Asian & Middle Eastern Studies, Duke Global Education/Duke in Turkey, Franklin Humanities Institute, Arts of the Moving Image and Mellon Foundation’s Partnerships in a Global Age grant, Pamuk’s visit included a public conversation at the Nasher Museum of Art auditorium hosted by DUMESC Director Erdağ Göknar, and a faculty forum. He also sat down with Göknar for an interview at Duke Studios.
Göknar, who authored the 2013 book “Orhan Pamuk, Secularism and Blasphemy: The Politics of the Turkish Novel” (Routledge, 2013) and was the English translator for Pamuk’s Nobel Prize- winning “My Name is Red” (Knopf, 2001), said Pamuk’s work – nine novels to date — “embraces the idea of the novelist as archivist and curator.”
“Since winning the Nobel award in 2006, Pamuk’s work has continued to push the boundaries of literary form and content,” said Göknar, adding that it “brings together narrative strains such as Ottoman Turkish history, the confines of identity, double-ness, excavations of the city, conspiracy, Islamic art, Sufism, the power of the Middle Eastern nation state, the (1980) coup, obsession, mystical love, the archive, collecting, lament and the Istanbul melancholy known as khuzun.”
All of this plays out through the city of Istanbul that in Pamuk’s words, is a space that has become “the memory of his fiction.” Continue reading